domingo, 22 de enero de 2017

Third Reference: Alfredo Jaar

Art


My third reference will be a visual artist, architect and filmmaker named Alfredo Jaar. He was born in Santiago de Chile, Chile, on 1956 and he is working in New York City. 

Jaar has done more than 60 public inventions around the world, and more than 50 monographic publications. His work can be found in the collections of The Museum of Modern Art and Guggenheim Museum.

He is famous thanks to his artworks in which he mix important, delicate and sensitive elements in order to design the structures and messages on his photography, architecture, art and theater. The concepts and ideas he use to develop his work are facts from the past and the daily life situations and conflicts, such as the racism, slavery, classism, inequality and discrimination.

Chosen artwork:

Alfredo Jaar
Gold in the Morning I, II, III (Oro en la mañana I, II, III), 1985

-> Slavery and racism.

-> Dark colors -> no happiness.

-> Postcolonialism: A theoretical school that emerged between the decades of 1980 and 1990, that is based on the colonial situations and their effects.

More about Postcolonialism:

"Poscolonialismo".

Why is it my third reference?
Alfredo Jaar will be my third reference thanks to the clarity he uses to communicate feelings and ideas and to the colors he uses according what he wants to express. I am going to use Jaar's ideas and strategies to develop and complete the interdisciplinary unit project about our Latin-American identity.

More Jaar's artworks:

Resultado de imagen para alfredo jaar obras
"A logo  for America" (1987).
Alfredo Jaar.
Retrived from: http://www.alfredojaar.net/.
Resultado de imagen para alfredo jaar obras
Alfredo Jaar.
"La geometría de la conciencia".
Resultado de imagen para gold in the morning alfredo jaar
Alfredo Jaar.
Untitled.

More artworks I liked:

Resultado de imagen para Annemarie Heinrich La mano, 1953
Annemarie Heinrich.

Resultado de imagen para Resultado de imagen para Benito Quinquela Martín Elevadores a pleno sol, 1945 Colección Museo Nacional de Bellas Artes
Benito Quinquela Martín.
"Elevadores a pleno sol" (1945).
Óleo sobre tela.
200 x 164 cm.
Colección Museo Nacional de Bellas Artes.

References:

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